Louis兄你可唔可以畀返小小面吉永小百合，講嘢唔好咁粗鄙哩？畢竟佢系最無辜嗰個，無端白事畀你攞咗來做大頭照，一尐發言權都冇，重要笑笑口噉承受你講埋尐乜嘢「你地…真係衰到貼地」、「你地搵埋晒D植物人」、「俾你地班廢柴害死」嘅粗言。吉永小百合個樣咁純情可愛，而你把口就鬧人唔使本，得理不饒人，唔該你顧下人哋嘅名聲同感受好唔好。話嗮佢對你無功都有勞。我睇你學識淵博，絕對有能力好聲好氣噉表達你嘅觀點同不滿，如果你堅持要鬧人鬧得咁盡，我恁你最好用返自己幅相，又或者要攞「異形」幅相來做大頭照，噉先至襯得起你。問心嗰句，我而家唔系針對你，只系為吉永小百合抱不平啫。

引文:
Sum哥，經過Louis兄嘅努力周旋，搭通咗天地線，你都可以致電教育局藝術教育組嘅譚宏標先生，電話3698 3535，話畀佢哋聽尐chords出咗問題。

引文:

放心, 我回嗰封 email 俾譚 Sir 冇用吉永小百合幅相, 寫貓王嗰位連 O Sole Mio 都唔知點解嘅學者竟然係大名鼎鼎嘅史丹福大學博士:

http://www.rc.vt.edu/facstaff/Saffle.html

Saffle

Ph.D. in Musicology and Humanities at Stanford University, 1977.

Michael Saffle is professor in the Department of Religion and Culture at Virginia Tech. He has published articles and reviews in the Journal of the American Musicological Society, Acta Musicologica, Notes, the Programmhefte of Bayreuth’s Wagner Festival, Music & Letters, and the Leonardo Music Journal as well as the International Dictionary of Black Composers and other reference works. His books include Franz Liszt: A Guide to Research, revised and republished by Routledge in 2004 and again in 2009; and he served as editor for American biographical entries on behalf of the German music encyclopedia, Die Musik in Geschichte und Gegenwart (Kassel: Bärenreiter, 1994-2008). Other of his publications deal with such issues as emerging images of Europe in contemporary American film and television, the transformation of Beijing as a postmodern megacity since ‘Reform and Opening’ began in 1978, and the Chinese pop group 12 Girls Band.


As a teacher, Saffle has three times won Virginia Tech’s Certificate of Teaching Excellence; and in 2007 he received the William E. Wine Award from Tech’s Academy of Teaching Excellence.


As a scholar, he has held fellowships from the Fulbright and Humboldt Foundations as well as the American Philosophical Society. In 2000-2001 he served as Bicentennial Fulbright Distinguished Professor of American Studies at the University of Helsinki. During Spring 2008, he had the Au Yeung King Fong Research Fellowship at Hong Kong Baptist University, and during Spring 2009 he and his wife Sue taught at VT’s ‘European campus’ in Riva San Vitale, Switzerland.


An old “mountain” house he and his wife restored won a local preservation award in 1989 and was named to the National Register of Historic Places in 1992.


In 2006, on his sixtieth birthday, Professor Saffle was honored with a ‘Festschrift’ published as an issue of the cultural-studies ejournal Spaces of Identity [Volume 6, No. 3 (3 December 2006)].


對呢班奈毒學生嘅「人之患」無須咬文嚼字。

----------------

Louis Lee 先生,

多謝你的意見，本組會細閱有關內容，並予以修正。 再一次多謝閣下的指正。

教育局藝術教育組
譚宏標
3698 3535


______________________________________________________________________________________________
譚 Sir,

多謝你回覆, 關於 Elvis Presley 教材, 尚有以下錯誤:


1. 〝Although Loving You (1957), Jailhouse Rock (1957), and Kid Creole (1958)
earned money for their producers, the songs Elvis recorded for their soundtracks failed
to achieve critical acclaim.〞 (p.6)

係 King Creole, 唔係 Kid, 俾晒成套片你睇:

http://www.youtube.com/watch?v=KZcUZh1Mq9s&hd=1

2.〝Elvis was raised on gospel music and made a name for himself as a gospel
performer. In spite of this, his two albums of gospel music, although artistically
successful, were recorded late in his career and never achieved the popularity of his
rock-‘n’-roll hits. The deep feeling and stylistic freedom of gospel singing, however,
are what make songs such as “Heartbreak Hotel” so powerful.
After his career was well underway, Elvis covered a few ‘classic’ gospel
numbers. Perhaps the best known and most successful of these songs is “Crying in the
Chapel”. Originally recorded in the early 1950s by Sonny Till and the Orioles, a Black
gospel ensemble, “Crying in the Chapel” combines religious faith with the sadness of
everyday life.〞(p.18)

“Crying in the Chapel” 原唱係 Darrell Glenn, 佢老豆 Artie Glenn 作曲:

http://www.youtube.com/watch?v=zhfZmTe3xAs&hd=1

3.〝 “Are You Lonesome Tonight?” was originally recorded in 1960. In
the live-performance version, however—recorded in 1977, shortly before his death,
and preserved on Elvis: The King (disk 2, track 9)—Elvis breaks into laughter midway
through the song. Unable to stop laughing, he transforms a sad country-western
number into a stand-up comedy routine. His inability to stop laughing is typical of the
last few, less-successful years of his performing career.〞(p.18)

“Are You Lonesome Tonight?” laughing version 係 1969 年 8 月 26 日 Las Vegas 演唱會錄音, 唔係 1977:

http://www.youtube.com/watch?v=NGhmn2i4DBU&hd=1

http://www.youtube.com/watch?v=5cgvWKyKW7A&hd=1

麻煩你話俾 Prof. Michael Saffle 知 (我肯定佢一定唔知), Are You Lonesome Tonight? 係 20 年代老歌, 原唱係 Henry Burr, 1927 年錄音:

http://www.youtube.com/watch?v=rI7wqaYvcs8&hd=1

4.〝Elvis believed in God, gave generously to many causes,
and married his childhood sweetheart.〞(p.23)

老作!!! 貓王唯一妻子係 Priscilla (1967 年結婚, 1973 年離婚)。

史丹福大學博士竟然寫埋 D 咁嘅垃圾文章, 真係慘不忍睹!!!

唔該即刻抽起佢, 免再誤人子弟!!!

Louis Lee

----------------

Louis Lee先生,

閣下高見，心感佩服。本組會詳加覆核，並請專家加以校對，屆時再請閣下指正。多謝閣下對音樂教育的支持。

教育局藝術教育組
譚宏標
3698 3535

_________________________________________________________________

譚 Sir,

再次多謝你回覆,「詳加覆核，並請專家加以校對」應該係教材放上網之前就要做好, 唔係等到錯誤資訊荼毒咗千萬學生之後至嚟補鑊, 希望貴局謹記今次教訓, 為香港未來主人翁著想, 以後做事務必認真謹慎。兩篇問題教材可能只係冰山一角, 你地應該將所有已發表或即將發表之教材聘請專家作深入、全面校對, 確保資料無誤。

Louis Lee


_______________________________________________



譚 Sir,

資料更正, Are You Lonesome Tonight? 最早錄音應該係 Charles Hart, 1927 年 5 月 9 日, 比 Henry Burr 版 (1927 年 8 月 5 日) 仲要早接近 3 個月:

http://www.youtube.com/watch?v=IFHdKxKvk7E&hd=1

治學精神, 最重要係細心考證, 知錯即改, 互勉之。

Louis Lee

----------------

譚 Sir,

再一次資料更正,《榴槤飄香》真正原唱並非林鳳, 而係前商台廣播員陳慧玲(已故粵曲、粵劇編寫家之第二任妻子/[陳麗雲]女士妹妹),幕後為林鳳代唱:

http://www.youtube.com/watch?v=7wjueXH7MG4&hd=1

Louis Lee

----------------

佢地已經抽起有問題嘅文章, 顯示為「更新中」, 唔可以 click icon 下載:

http://www.edb.gov.hk/index.aspx?nodeID=7375&langno=2

----------------

今日東方報導

http://orientaldaily.on.cc/cnt/news/20120726/00176_014.html

網上教材多錯漏 教局馬虎

教育局資助編寫的教材又出問題，該局邀香港浸會大學音樂系教授楊漢倫編寫的網上教材《粵語流行曲導論》，被指當中有關粵語流行曲歷史的部分資料出錯，質疑 官員處事馬虎苟且，懶為教材內容作校對，擔心若教師使用相關教材向學生灌輸錯誤歷史資料，將禍延下一代。教育局回應指，收到相關反映，已將意見轉交作者， 同時將有關教材從當局網頁抽起，再作詳細研究。

楊漢倫教授編著

教育局○九年出版的網上教材《粵語流行曲導論》，由楊漢倫博士著作，內容涉及粵語流行曲歷史、音樂旋律等。不過，部分內容被音樂發燒友 網民揭發出錯，如教材提到歌曲《鱷魚淚》是由音樂人黎小田填寫，但事實是由黃霑填寫；又如指日劇《綠水英姿》是在七十年代末在港播放，但其實該劇名稱為 《綠水英雌》，於七十年代初播出。該網民質疑，教育局官員處事馬虎苟且，懶為教材內容作校對。

據浸大網頁資料顯示，楊漢倫為音樂歷史教授，主要研究十九世紀美國式音樂及當代流行中國音樂，曾撰寫逾三十篇文章。本報昨曾致電楊漢倫查詢，但至截稿前未獲回覆；浸大發言人指楊漢倫正休假，未能聯絡上她。

次文化堂社長彭志銘指該網民對《粵語流行曲導論》的指控大多正確，他認為由學者撰寫的教材具權威性，若未經查核便用作教材教授學生，將禍延下一代。彭又批評，教育局不應將撰寫教材的責任，推卸予負責撰寫的學者，反應加緊重複核對，確保教材內容資料準確無誤。

教育局發言人承認，當局邀請有關學者編寫《粵語流行曲導論》，並且支付編寫酬金。當局前日收到有關教材資料有誤的查詢後，已將意見轉交作者作詳細檢視，並將有關材料從當局網頁抽起，待詳細研究後，再將最新版本上載網頁。

----------------

《粵語流行曲導論》誤人子弟

http://the-sun.on.cc/cnt/news/20120726/00407_050.html

教育局資助編寫的教材又出問題，該局邀浸會大學音樂系教授楊漢倫編寫的網上教材《粵語流行曲導論》，被指當中有關粵語流行曲歷史的部分資料出錯，擔心若教師使用相關教材向學生灌輸錯誤歷史資料，將禍延下代。

教育局○九年出版的網上教材《粵語流行曲導論》，由楊漢倫博士著作。不過，部分內容被音樂發燒友網民揭發出錯，如教材提到歌曲《鱷魚淚》是由音樂人黎小田填寫，但事實是由黃霑填寫；又如指日劇《綠水英姿》在七十年代末在港播放，其實該劇名為《綠水英雌》，於七十年代初播出。該網民質疑教育局官員處事馬虎，懶校對教材內容。

浸大音樂教授支薪撰寫

楊漢倫為音樂歷史教授，主要研究十九世紀美國式音樂及當代流行中國音樂，曾撰寫逾三十篇文章。本報昨曾致電楊漢倫查詢，浸大發言人指楊漢倫正休假，未能聯絡上她。
次文化堂社長彭志銘指該網民對《粵語流行曲導論》的指控大多正確，又批評教育局不應將撰寫教材的責任，推卸予負責撰寫的學者，反應加緊重複核對，確保教材內容資料準確無誤。
教育局發言人承認，當局邀請有關學者編寫《粵語流行曲導論》，並支付編寫酬金。

讀者Louis Lee爆料（ireport_00031024）



http://www.worldjournal.com/view/full_news/19582818/article-%E6%95%99%E8%82%B2%E5%B1%80%E7%B6%B2%E4%B8%8A%E6%95%99%E6%9D%90-%E9%8C%AF%E8%AA%A4%E7%99%BE%E5%87%BA?instance=hk_bull

教育局網上教材 錯誤百出

香港新聞組香港26日電

教育局資助編寫的教材又出問題，該局邀香港浸會大學音樂系教授楊漢倫編寫的網上教材《粵語流行曲導論》，被指當中有關粵語流行曲歷史的部分資料出錯，質疑官員處事馬虎苟且，懶為教材內容校對。教育局回應指，已將各方意見轉交作者，並把有關教材從網頁抽起。


教育局2009年出版的網上教材《粵語流行曲導論》，由楊漢倫博士著作，內容涉及粵語流行曲歷史、音樂旋律等。不過，部分內容被音樂發燒友網民揭發出錯，如教材提到歌曲《鱷魚淚》是由音樂人黎小田填寫，但事實是由黃霑填寫；又將日劇《綠水英雌》誤植為《綠水英姿》。


次文化堂社長彭志銘指該網民的指控大多正確，他認為由學者撰寫的教材具權威性，若未經查核便用作教材，將禍延下一代。

----------------

引文:
原本想喺爾堵介紹一本粵語流行曲嘅書畀大家增廣見聞，估唔到竟然得到噉嘅收場，真系人算不如天算嘞。先喺堵多謝Louis兄為我哋提供咗咁多正確資料，又為學界爭取到爾本書嘅重新校對修正，相信教育局同埋楊漢倫教授好快就會將爾本書搞返𠶧。整件事情至此亦算完滿結束。接住落來同政府與傳媒嘅跟進，就請Louis兄自己默默地進行吧，唔使再將插政府嘅行動公佈喇，因為事情發展到噉嘅地步，已經超出咗青韻民歌論壇嘅範圍，亦唔啱「粵講粵樂」爾個主題嘅精神。希望Louis兄能夠明白兼夾體諒。經過爾件事，使我哋瞭解到Louis兄對音樂資料嘅一絲不苟同埋鍥而不捨嘅精神。就讓我哋默哀三分鐘，喺爾堵帶著嚴肅而沉重嘅心情同爾張貼講拜拜吧。