http://en.wikipedia.org/wiki/Deanna_Durbin



Deanna Durbin (born December 4, 1921) is a Canadian singer and Academy Award-winning actress from Hollywood films of the 1930s and 1940s.

Early life
Born Edna Mae Durbin at Grace Hospital in Winnipeg, Manitoba, Canada, she adopted the professional name Deanna at the commencement of her career. Her parents, James and Ada Durbin, were immigrants from Lancashire, England, and she had an older sister named Edith.


Career
Durbin signed a contract with MGM in 1935 and made her first film appearance in a short subject Every Sunday with another contractee, Judy Garland. Studio executives were questioning the wisdom of having two girl singers on the roster and the film was to serve as an extended screen test for the pair. Ultimately Louis B. Mayer decreed that both girls would be kept, but by the time that decision was made Durbin's contract option had elapsed.[1]

In Life magazine's December 21, 1936 issue, before the release of her first feature length film, a young Deanna was featured in the article "Their Music Makes News", which was about new and exceptional young musical talents, and is pictured cutting her 14th birthday cake.

Durbin was quickly signed to a contract with Universal Studios and made her first feature-length film Three Smart Girls in 1936. The huge success of her films was reported to have saved the studio from bankruptcy.[2] In 1938 she received a special Academy Juvenile Award, along with Mickey Rooney. Such was Durbin's international fame and popularity that diarist Anne Frank pasted her picture to her bedroom wall in the Achterhuis where the Frank family hid during World War II. The picture can still be seen there today, and was pointed out by Frank's friend Hannah Pick-Goslar in the documentary film Anne Frank Remembered.

Durbin is perhaps best known for her singing voice—a voice described variously as light but full, sweet, unaffected and artless. With the technical skill and vocal range of a legitimate lyric soprano, she performed everything from popular standards to operatic arias. Dame Sister Mary Leo in New Zealand was so taken with Durbin's technique that she trained all her students to sing in this way. Sister Mary Leo produced a large number of famous sopranos including Dames Malvina Major and Kiri Te Kanawa, all of whom were said to sound like her.

Durbin married an actor, Vaughn Paul, in 1941 and they were divorced in 1943. Her second marriage, to film producer Felix Jackson in 1945, produced a daughter, Jessica Louise Jackson, and ended in divorce in 1949.

Gossip columnist Hedda Hopper alleged that Durbin had an affair with Joseph Cotten. However, the slur was completely untrue as Cotten testified in his autobiography. What brought about the rumor of an affair was that both Cotten and Durbin stayed overnight at the studio without the other one knowing it, only to realize it when they met the next morning at the commissary. Cotten was so enraged by Hopper's conduct that he kicked her chair out from underneath her just as she was about to sit down at a Hollywood function. This generated a spontaneous round of applause from spectators.[citation needed]

In private life, the actress continued to use her given name; salary figures printed annually by the Hollywood trade publications listed the actress as "Edna Mae Durbin, player." Her studio continued to cast her in musicals, and filmed two sequels to her original success, Three Smart Girls. The second sequel was a wartime story called Three Smart Girls Join Up, but Durbin issued a press release announcing that she was no longer inclined to participate in these team efforts and was now performing as a solo artist. The Three Smart Girls Join Up title was changed to Hers to Hold.

She made her only film in Technicolor in 1944, Can't Help Singing featuring some of the last songs written by Jerome Kern. It has a distinction of being one of the few musical comedies with a Western setting, filmed mostly on location in southern Utah. Her co-star was Robert Paige, who is better known for his work in television dramas in the 1950s.[3]

Durbin then tried to assume a more sophisticated film persona in such films as the film noir Christmas Holiday (1944) and the whodunit Lady on a Train (1945), but the public preferred her in light musicals. In 1947, her employers merged with two other companies to create Universal-International, and the new regime discontinued most of Universal's familiar product, including musicals, westerns, and comedies. Durbin stayed on for three more pictures before quitting the studio in 1948. Durbin's new bosses sued her for wages they had paid in advance, but Durbin settled the suit amicably by agreeing to make three more pictures, including one to be filmed on location in Paris.

Durbin did go to Paris, but not for professional reasons. She married Charles David, who had directed her in Lady on a Train. Durbin vowed that she would never return to show business, so the three films were never made.

She and her husband raised Durbin's second child, Peter David. Since then she has resisted numerous offers to perform, including several by Mario Lanza, and has granted only one brief interview in 1983, to film historian David Shipman, steadfastly asserting her right to privacy. She maintains that privacy today, declining to be profiled on Internet websites. However, she made it known that she did not like the Hollywood studio system and decided to retire.[4]

Her husband, director Charles David, died in Paris on March 1, 1999.

Deanna Durbin has a star on the Hollywood Walk of Fame at 1722 Vine Street.

Annie Laurie (Lady John Scott, William Douglas)

Maxwellton braes are bonnie
Where early fa's the dew
And it's there that Annie Laurie
Gied me her promise true
Gied me her promise true
Which ne'er forgot will be
And for bonnie Annie Laurie
I'd lay me doon and dee

Her brow is like the snowdrift
Her neck it's like the swan
Her face it is the fairest
That e'er the sun shone on
That e'er the sun shone on
And dark blue is her e'e
And for bonnie Annie Laurie
I'd lay me doon and dee

Maxwellton braes are bonnie
Where early fa's the dew
And it's there that Annie Laurie
Gied me her promise true
Gied me her promise true
Which ne'er forgot will be
And for bonnie Annie Laurie
I'd lay me doon and dee

Like dew on the gowan lying
Is the fa' of her fairy feet
And like wind in summer sighing
Her voice is low and sweet
Her voice is low and sweet
She's a' the world to me
And for bonnie Annie Laurie
I'd lay me doon and dee

Maxwellton braes are bonnie
Where early fa's the dew
And it's there that Annie Laurie
Gied me her promise true
Gied me her promise true
Which ne'er forgot will be
And for bonnie Annie Laurie
I'd lay me doon and dee

Annie (Anna) Laurie was born on 16 December 1682. The original poem was written by William Douglas of Fingland around 1700, then improved and extended by Lady John Scott of Lauderdale around 1834-35. William Douglas was not accepted by Anna's father Sir Robert Laurie, first baronet of Maxwellton, as he was a Hanoverian Royalist whilst William was a fiery Jacobite. Both Fingland and Maxwellton are located in Dumfries in the Scottish Borders.

Deanna Durbin sings Love's Old Sweet Song (Just A Song At Twilight).


Once in the dear dead days beyond recall
When on the world the mists began to fall
Out of the dreams that rose in happy throng
Low to our hearts love sung an old sweet song .
And in the dusk where fell the firelight gleam
Softly it wove itself into our dream
Just a song at twilight, when the lights are low
And the flick'ring shadows softly come and go
Though the heart be weary sad the day and long ,
Still to us at twilight comes love's old song
Comes love's own sweet song
Even today we hear love's song of yore .
Deep in our hearts it dwells for evermore
Footsteps may falter, weary grow the way
Still we can hear it at the close of day
So till the end, when life's dim shadows fall
Love will be found the sweetest song of all
Just a song at twilight, when the lights are low
And the flick'ring shadows softly come and go
Though the heart be weary sad the day and long ,
Still to us at twilight comes love's old song
Comes love's own sweet song