多謝阿Sum的詳盡解釋！

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回望過去，珍惜現在，展望將來！
青韻老餅舊組員
白馬
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引文:

I'm sure many of us will know the circle of fifth principles. Just share some information I found. Please note these are just general concepts and may have many exceptions. But it is very useful and can be applied in many ways for a guitarist.

There is a piece of information about chord patterns that every guitar player ought to know. It summarizes all the information about how chords move from one to the next in a simple way. It's called the Circle of Fifths, and it's created by writing out the 12 notes in this order: each note is followed by the 5th note of its major scale. Thus, if we start with C, we follow it with G (the 5th note of the C major scale). We follow the G with D, which is the 5th note of the G major scale, and D is followed by A, and so on around the octave until we get to F, which is followed by C, and we're back to where we started. The complete Circle of Fifths looks like this:

---------------C
----------F-------- G
-----Bb/A#----------- D
--Eb/D#-------------------A
-----Ab/G#-------------E
---------Db/C#------B
----------------Gb/F#

There are two basic rules for chord changes. The first is that short movements along the circle sound more natural than long ones. For example, the chord change C major to G major is very natural, whereas the change C major to E minor is more awkward. The second rule is that clockwise moves (forward) make the song seem to be developing forwards, whereas counter-clockwise moves (backward) make the song be resolving. The chord changes we gave above are these:

C Am Dm G7 (Today). This one begins with a three-step jump forward, but then resolves back one step at a time.

F C7 F Bb F C7 F (When the saints go marching in). This one involves only single step movements. Starting on F, we go forwards, back, back, forwards, forwards, back.

Almost all chord movements in all songs involves jumps of 4 steps or less along the Circle, and most of them only 1 or 2 steps.

Using a certain chord in the circle as the tonic chord (I chord), moving clockwise will be the 5th chord (V or dominant chord), moving anti-clockwise will be the 4th chord (IV or subdominant chord). In key of C, the I, IV, V chords are C,F and G; in key of D, they are D,G and A, and so on. The I, IV and V chords together form the basic chords for many many songs. Examples are “Oh Susanna”, “Bye bye love”, “Cotton fields”, etc.

所以無乜人會講玩D#.. 多數講玩Eb.. 引文:

引文:

Just for discussion.
C to D# is an augmented second interval, which is a second degree interval. Therefore transposing the following from Key C to D# :
C Am Dm G7
would theoritically become
D# B#m E#m A#7

Am to Cm and Dm to Fm are 3rd degree intervals. Of course in practice we can use Cm (enharmonic of B#m) and Fm (enharmonic of E#m). But if taking the Music Theory Exam, B#m and E#m should be used as the answers.

很多謝 添先生 的讚賞 我都係想 講出ㅡ個 初學者的 目弟 法而已 若果無 足料的簡譜 我都會 唔識彈架 大家若 有心學野的話 又 jum 可以 ㅡ毛不拔的 download ㅡ些 不足料的 歌譜呢 足料的意思是 要有tempo 有intro 有solo 有ending 就連 melody上面的chord 都要有埋 大家就 不用再花時間 去找chord 了 我最喜歡 買足料的 歌譜地方 如下 找新歌的 可以到尖沙咀的 勁歌金曲 總店 若找舊歌的話 就要到商務了 ㅁ牙



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最過癮都係歌神的回覆。。。。有趣！有趣！有趣！

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我懶... 通常落個新調o既V7 chord (即G7）就算...

請問什麽是Modal interchange和fifth principle？同Chord Progression(和弦進行式)有什麽關係？

好似以前青韻網都有提過吓：
http://cwfolknet.com/html/modules/newbb/viewtopic.php?topic_id=1267&forum=11#forumpost10336

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回望過去，珍惜現在，展望將來！
青韻老餅舊組員
白馬
網頁：YouTube Link

引文:

If that is what requires, then one possible progression is :

A D7 G7 C

which is basically a circle of fifth principle.

我諗樓主既問題應該係問由A key 用咩chord可以順利轉去C key.

可以利用下II V I 既原理. 同埋Modal interchange 既方法.